What makes it okay for artists like Andy Warhol, Marcel Duchamp and Sherrie Levine to appropriate images from pop culture to produce art under the protection of fair use while Shepard Fairey cannot? What makes it okay for the media to do the same? (Side note: When Sherrie Levine appropriated Walker Evans’ photographs, she didn’t even change them. She simply re-photographed them and presented them as her own.)
The recent ongoing controversy of Shepard Fairey’s Obama “Hope” poster is raising many concerns over what constitutes fair use and how the doctrine should be interpreted. For those of you not following (wake up and smell today’s culture), there is a heated debate in progress over the source image used to create the now famous poster that became the unofficial face of Obama’s 2008 electoral campaign. The Associated Press is suing the street artist over copyright infringement, claiming that the image of Obama on Fairey’s poster is based on a photograph taken by AP-contracted photographer Manny Garcia. Fairey acknowledges the source but argues that he only referenced the photograph and transformed it enough to where it now has a totally different message and meaning.
Arguably, the portion of the copyright law that describes fair use doesn’t really concretely define it – it is subject to interpretation. Marketers, advertisers, lawyers and artists have their own, and differing, opinions on this specific case. Milton Glaser, the artist recognized for his creation of the iconic “I (heart) NY” logo, states in a recent PRINT Magazine article:
The process of looking back at the past is very accepted in our business-the difference is when you take something without adding anything to the conversation. We celebrate influence in the arts, we think it’s important and essential. But imitation we have some ambivalence about, especially because it involves property rights. It probably has something to do with the nature of capitalism.
He continues, sharing his opinion as it relates to the Obama “Hope” poster debate:
For myself – this is subjective – I find the relationship between Fairey’s work and his sources discomforting. Nothing substantial has been added.
Personally, I think he’s wrong. Shepard Fairey turned an ordinary and uninspiring news photograph of Obama into an image that ignites emotions within the hearts of its viewers – for some, a symbol of hope and change.
Of course, we will all probably have different opinions and reactions to the photograph, poster and to the debate itself. The questions regarding fair use that are surfacing now have been debated in the past and will continue to arise in the future. There is no, nor will there ever be, a definite answer.
Am I wrong? Do you have an answer?








